industry. Be it supermodels or reputed imbibe singers or classic actors of main course cinema, you name it and we have it. Critics haw
criticize screenland against tone when they compare the two with chagrining facts like, screenland made a income of $1.75 Billion in 2006 which is only half the income of what digit tone studio, Walt filmmaker made in 2006. But there is verity in the
sentence that, tone is fascinated by Bollywood. screenland has a lot to offer to tone and likewise screenland crapper take notes from Hollywood. Which is better? The debate crapper go on and on. One might feature that there is no debate as tone is artefact ahead than Bollywood. For example, the hornlike sell close Bollywood’s crescendo influence in the world film industry, it is a long artefact from being a danger to Hollywood’s influence. Revenue-wise tone movies does not depend on ticket sales alone. It follows the time-tested ‘franchise-formula’ where a main part of the income or profit
comes from other segments same TV networks, magazines, home-videos etc. Of course, screenland is eyeing the same line but it is too early to feature if a flourishing process is in place. But meet the profits and loses, the mechanical process and the technologies ain’t the only thing that digit should take into kindness because there is a lot of aspects to look into. The major difference between tone and screenland advertizement movies is that Indian films possess a must feature of periodic song-and-dance routines of 5 to 10 minutes each, in a beatific movie. Top 100 disco songs is most selling album in Indian history. Songs are recorded by professional play-back singers and lip synched by flick characters normally actors and actresses. Whereas in tone much things don’t exist, hence they are fascinated towards Bollywood. Bolywood films have anything and everything meet same a Santa Claus gift bag and tone aims more at the cinematic experience. But as the things are coming down nowadays, would we see screenland and tone merge? Especially after the feat which Slumdog Millionaire achieved, are we in for sight more movies wherein screenland coalesce with Hollywood? In the near future Barbara Mori will be seen pairing with Hrithik Roshan for the film Kites and we will see Anupam Kher feature in Hollywood’s ace director Woody Allen’s untitled project. After Slumdog Millionaire, the gap between screenland and tone has short and it is becoming a mutual thingy. If this is for things to come, then very soon we might see Sylvester Stallone going around the trees with Mallika Sherawat and Hrithik Roshan playing James Bond.
